Peer-reviewed:

Jasmine C. Pisapia, "“Tristezza Siderurgica”". Intermédialités / Intermediality no. 39 “Retourner (la nostalgie) / Returning (Nostalgia)” (eds. André Habib, Suzanne Paquet, Carl Therrien) (2022) : 1–35.

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Photograph by Isabella Mongelli, “Sunset from Siderarmoniosa,” analog photography, 1997

Self-portait as “Irina” in Taranto’s archaeological park. Photograph by Isabella Mongelli from the series Visions in Tarànto (2013).

Heart of the Madonna Addolorata of Taranto (detail). Isabella Mongelli from the series Visions in Tarànto (2013).

Industrial landscapes in Taranto. Photograph by Isabella Mongelli from the series Visions in Tarànto (2013).

Peer-reviewed:

Jasmine C. Pisapia, “Per un’antropologia estetica della crisi ecologica: Arte dello straniamento e crisi della presenza nella città di Taranto” in Antropologia, Lucia Portis and Angela Biscald (eds) “Restituire. Un approccio multimediale” (2022)

Read article here.

Photograph above by Giuselle Antelmo of my personal tarànto (2013), a performance by Isabella Mongelli.

Sandro Greco e Corrado Lorenzo, happening/performance Taranto per una industrializzazione umana (1971).

Photograph of Taranto cemetery from the photographic series Visions in Tarànto (2013) by Isabella Mongelli. Courtesy of the artist.

Serigraphy by Taranto artist Nicola Andreace (1967)

Book chapter:

Jasmine Pisapia, “Visioni di polvere. Lutto, lavoro e bonifica nel cimitero di Taranto” in Il Ritmo dell’Esperienza : Nove Casi Etnografici per Ripensare l’Etnografia dei Conflitti Ambientali, Valentina Bonifacio, Rita Vinaello (eds.) Cooperativa Libraria Editrice Università di Padova, 2020.

Cemetery of Taranto (Jasmine Pisapia, 2018)

Peer-reviewed article:

Jasmine Pisapia, “Slow Motion and Sports: Corporeal ‘Imageries,’ Hypnosis and Transfigured Time,” INCITE Journal of Experimental Media #7/8, 2016-2017

Peer-reviewed article:

Jasmine Pisapia, “Through the Keyhole: (Photographic) Desire and the Astronomical Imagination,” Scapegoat: Architecture, Landscape, Political Economy, Issue 09 “The Night,” Will Straw, Christie Pearson (eds.), Spring 2016.

Images by Malena Szlam. Courtesy of the artist.

Independent journal founded with the Collettivo Epidemia:

Collettivo Epidemia. Epidemia 01: Gli ulivi di Puglia al tempo della Xylella (2019), independent publication featuring articles by János Chialá, Christian Colella, Michele Bandiera, and Enrico Milazzo.

Collettivo Epidemia. Epidemia 02: L’Urlo dell’asino di Michael Taussig e altre storie da Taranto (2019), independent publication featuring articles by Michael Taussig, Jasmine C. Pisapia, Michele Loiacono, Isabella Mongelli, Rosalia D’Arcangelo, Enrico Milazzo, Michele Bandiera, Carolina Saquel, Franco La Cecla.

Jasmine C. Pisapia, “Introduzione: L’urlo dell’asino e i suoi echi da Taranto,” in Epidemia 02, L’urlo dell’asino di Michael Taussig e altre storie da Taranto, Oct. 2019, p. 3-11.

Michael Taussig, “L’urlo dell’asino Devo capirlo anch’io. Una nota sulla dialettica dell’asino” (translated by Collettivo Epidemia)

Peer-reviewed articles:

Jasmine Pisapia, “Archives of Pathos. Image, Survival and Ernesto de Martino’s Interdisciplinary Ethnography,” Visual Ethnography, Vol. 2, n° 1, 2013.

Jasmine Pisapia, “Archives du pathos. Ernesto de Martino et la survivance,” Intermédialités n°18 “archiver/archiving, ” Fall 2011, p. 45-69.